When the television is good, nothing—not the theater, not the magazines, or newspapers—nothing is better. But when television is bad, nothing is worse. I invite you to sit down in front of your television set when your station goes on the air and stay there without a book, magazine, newspaper, or anything else to distract you and keep your eyes glued to that set until the station signs off. I can assure you that you will observe a vast wasteland. You will see a procession of game shows, violence, audience-participation shows, formula comedies about totally unbelievable families, blood and thunder, Mayhem, more violence, sadism, murder, Western badmen, Western goodmen, private eyes, Gangsters, still more violence, and cartoons. And endlessly, commercials that stream and cajole and offend. And most of all, boredom. True, you will see a few things you will enjoy. But they will be very, very few. And if you think I exaggerate, try it.
Is there no room on television to teach, to inform, to uplift, to stretch, to enlarge the capacities of our children? Is there no room for programs to deepen the children’s understanding of children in other lands? Is there no room for a children’s news show explaining something about the world for them at their level of understanding? Is there no room for reading the great literature of the past, teaching them the great traditions of freedom? There are some fine children’s shows, but they are drowned out in the massive doses of cartoons, violence, and more violence. Must these be your trademarks? Search your conscience and see whether you cannot offer more to your young beneficiaries whose future you guard so many hours each and every day.
There are many people in this great country, and you must serve all of us. You will get no argument from me if you say that, given a choice between a Western and a symphony, more people will watch the Western. I like Westerns and private eyes, too—but a steady diet for the whole country is obviously not in the public interest. We all know that people would more often prefer to be entertained than stimulated or informed. But your obligations are not satisfied if you look only to popularity as a test of what to broadcast. Yon are not only in show business: you are free to communicate ideas as well as to give relaxation. You must provide a wide range of choices, more diversity, more alternatives. It is not enough to cater to the nation’s whims—you must also serve the nation’s needs. The people own the air. They own it as much in prime evening time as they do at six o’clock in the morning. For every hour that the people give you--you own them something. I intend to see that your debt is paid with service.
The statement that “the people own the air” implies that _____.
第三段结尾部分,作者提到“the people own the air”,随后指出“无论是在夜晚的精华时段还是清晨,人们都拥有the air,因此广播公司每一时刻由于占用the air,都owe people something”,最后,作者指出广播公司偿还的方式是搞好服务,由此可判断,作者强调人们拥有天空,是暗示人们有权要求有意义的电视节目的播放,选项A正确。
下面属于下行沟通的是( )。
公共关系社团的类型包括( )。
跨文化沟通的障碍主要有( )。
横向沟通的目的是( )。
从公共关系学的一般意义上说,公众即与公共关系主体利益相关并相互影响和相互作用的( )。
根据对象的不同,沟通可划分为( )。
电子媒介在信息传播中具有的特征是( )。
商务谈判中的交锋阶段最能体现谈判人员的( )能力。
能创造良好沟通氛围的基本要素有( )。
按物质载体不同类型,媒介分为( )。